第三届公开信比赛的获胜者名单公布!

在本次大赛中,我们鼓励他们就自己关心的问题撰写面向公众的信件。

我们的评委——包括《纽约时报》的记者、学习网络的员工以及来自全美各地的教育工作者——阅读了来自世界各地青少年的11185份投稿。他们选出了七封获奖信件,此外还有数十封入围和荣誉提名作品。

感谢所有参与的学生。


学生公开信竞赛获奖者

按字母顺序,按作者的名字排序:

Winners

Chan-Yul Kim, 16, McNeil High School, Austin, Texas: “Mourning the Silence of Civic Education”

Isabelle Kim, 15, Holton-Arms School, Bethesda, Md.: “Could You Patent the Sun?

Katheryn Chan, 15, Hamilton High School, Chandler, Ariz.: “Error 404: Humanity Not Found”

Mindy Lux, 16, Sierra Vista High School, Baldwin Park, Calif.: “Why Students Are Forced to Fight Hunger Themselves”

Orly Kochinski, 16, Northwood High School, Irvine, Calif.: “‘The Boy in the Striped Pajamas’: The Cost of Fictionalizing the Holocaust”

Vihaan Miriyala, 15, John F. Kennedy High School, Fremont, Calif.: “The Anti-Social Media

Violet S. Tran, 15, Stuyvesant High School, New York City: “A Bench Is Not a Barrier

Runners-Up

Audrey Li, 17, Seven Lakes High School, Katy, Texas: “Whose Classroom Is This?”

Camryn Banafsheha, 17, Milken Community School, Los Angeles: “A Call to Live, Truly”

Iqra Asghar, 16, Burlington County Institute of Technology - Westampton, Westampton Township, N.J.: “Lunch Lines and Country Borders”

Isabel Cooper, 18, The Kinkaid School, Houston: “Safety Isn’t Optional: Holding Texas Camps Accountable”

Janna Akira Mikaela D. Rodriguez, 17, Philippine Science High School - Main Campus, Quezon City, Philippines: “If My Face Is Not My Own, Whose Is It?”

Kayley Dunn, 17, Verona Area High School, Verona, Wis.: “The Cost of Being Dismissed”

Logan Hana Higase-Chen, 17, U.S. Performance Academy: “Confession of a Teenage Shopaholic”

Mehreen Ziaee, 13, Thornton Middle School, Fremont, Calif.: “An Open Letter to President Trump”

Naomi Manglos, 16, Cheltenham High School, Wyncote, Pa.: “Menstruation: Why Taboo?”

Rusty MacKenzie, 17, Franklin High School, Portland, Ore.: “An Open Letter to Archbishop Alexander Sample”

Sharika Anuj, 17, Archbishop Mitty High School, San Jose, Calif.: “The List”

Sophie Halper, 17, Northern Valley Regional High School at Demarest, Demarest, N.J.: “Sometimes You Just Can’t Wait”

Steven Jiang, 16, Walter Payton College Preparatory High School, Chicago: “Dear Savannah Guthrie, We Are Sorry”

Honorable Mentions

Adrian Montenegro, 17, P-TECH Norwalk High School, Norwalk, Conn.: “The Great Equalizer Is Already Here”

Angel Zhang, 17, Stevenson School, Pebble Beach, Calif.: “What Education Means”

Bhavya Uppalapati, 13, Rachel Carson Middle School, Herndon, Va.: “Dear ChatGPT: I Can See You From My School Bus”

Cadence Ann Carson, 18, Abington Friends School, Jenkintown, Pa.: “No Escape From the Camera”

Desra Sonnek-Schmelz, 17, Westfield High School, Westfield, N.J.: “When Help Is ‘Right Next Door,’ It’s Already Late”

Devan Upadhyay, 15, Brookline High School, Brookline, Mass.: “When the Fight Against Cancer Becomes the Fight Against the White House”

Devon Tang, 14, Interlake High School, Bellevue, Wash.: “This Is NOT A.I.-Generated”

Eli Werling, 18, New Trier High School, Winnetka, Ill.: “A Future Without Needles and Numbers”

Haibei Gao, 17, The Masters School, Dobbs Ferry, N.Y.: “Sharenting and the Cost of Being Seen”

Isaac Hong, 16, Tenafly High School, Tenafly, N.J.: “1 out of 377”

Nadia Reddy, 16, Harriton High School, Bryn Mawr, Pa.: “More Than a Reflection”

Niko Dalton, 17, Ladue Horton Watkins High School, St. Louis, Mo.: “Dear U.S. Lawmakers: I Am Not a Transgender Activist. I Just Want a Normal Life.”

Ollie Chun, 13, Chadwick International School, Incheon, South Korea: “When a Disorder Becomes a Label”

Ritsuki Tanaka, 17, Oshukan Secondary School, Tokyo: “When They Knock”

Sharika Dhar, 17, Academy for Allied Health Sciences, Scotch Plains, N.J.: “Women, Cardiac Arrest, But the Simple Fix That Could Save Lives”

Valentina Fuentes Jimenez, 18, New Canaan High School, New Canaan, Conn.: “A Window on America”

学生公开信比赛优胜者—A Bench Is Not a Barrier

为了表彰学生公开信大赛的获奖者,我们将刊登他们的作品。这封信的作者是15岁的Violet S. Tran。


To Urban Planners and City Officials,

I never thought I would develop a vendetta against something as simple as benches, but here we are. It’s obviously not the idea of benches I have an issue with, but the hostile versions that dominate public spaces. This began, unsurprisingly, with the M.T.A.

On a snowy evening this February, my bus, scheduled to depart 10 minutes ago, was delayed. Many commuters, myself included, crowded the waiting area, stamping snow from our boots and glancing impatiently at the time. Hoping for a moment of rest, I leaned on a slanted “bench” nearby, a thin, angled metal rail. This was something new to me, and it was immediately obvious that it wasn’t designed for comfort. I perched awkwardly in the cold for a few seconds, then resigned myself to standing once more.

While this might be a minor inconvenience for me, it causes real harm for others. Metal spikes under bridges, slanted benches, segmented seating and fenced-off alcoves may seem insignificant to those with the luxury to ignore them, but they aren’t innocent stylistic choices. This is all part of a growing hostile architecture movement across the country. These designs are deliberately chosen to discourage certain people, mainly the unhoused, from occupying public spaces.

On any given night, over 770,000 Americans are homeless, and over 10 percent live in poverty. Instead of investing in housing, social services and fair wages, cities are investing in making these problems invisible, as if discomforting and excluding the poor is a solution to a national crisis. They’re closing their eyes as the house burns.

Urban design has long shaped who belongs in a city and who doesn’t. In a not-so-distant past, planners divided neighborhoods along economic and racial lines. To some this might seem absurd, but the reality is that it’s still a problem. Hostile architecture continues this tradition, using design to send the message that public spaces are only public for some.

Whether you’re a teenage skater, an elderly grandparent, or an overworked adult, communities should be designed for all. We know it’s possible because, around the world, urban planners are showing that neighborhoods can be safe, inclusive and human-centered. In Barcelona, neighborhoods have been transformed into “superblocks,” prioritizing pedestrians and community gathering. In Vienna, cities are designed with gender inclusivity in mind, ensuring they are accessible and welcoming to everyone. Even small changes in our cities can benefit millions.

This is why I’m asking you, the planners and officials with the responsibility of shaping our urban environment, to take the first steps toward equality. Replace hostile seating. Redesign public spaces with community needs in mind. And work with outreach programs and housing initiatives for lasting change. Together, public design can be part of a solution, not a cover-up.

I hope the day will come when dignity isn’t a political debate. Until then, the purpose of a bench is simple. It’s a place for someone to sit, especially when they have nowhere else to go.

Sincerely,
Violet S. Tran


Works Cited

Casey, Michael. “U.S. Homelessness Rose 18 Percent in 2024, Continuing Multi-year Upward Trend.” PBS News, 27 Dec. 2024.

Kodé, Anna. “The Slow Death of the New York City Public Bench.” The New York Times, 18 Oct. 2025.

Mueller, Natalie, et al. “Changing the Urban Design of Cities for Health: The Superblock Model.” Environment International, January 2020.

Safronova, Valeriya. “Can Urban Design Have a Gender? In This Vienna District, the Answer Is Yes.” The New York Times, 30 July 2024.

Shrider, Emily A. “Poverty in the United States: 2023.” Census Bureau, 10 Sept., 2024.

学生公开信比赛优胜者—The Anti-Social Media

为了表彰学生公开信大赛的获奖者,我们将刊登他们的作品。这封信的作者是15岁的Vihaan Miriyala。


To the Honorable Members of the U.S. Senate,

I am writing to you not as a policy expert, but as a member of the first generation growing up with social media. Every morning I have a routine — before I’m even fully awake, I reach for my phone and groggily go through my socials one by one: first Instagram, then TikTok, and then Snapchat. It’s a never-ending loop of brainrot I never asked for, and yet one I can’t seem to quit no matter how hard I try. Looking around my high school, it’s obvious it’s not just me who’s facing this dilemma. I notice the same recurring patterns among many fellow teens — hunched backs, constant notifications, and real conversations going ignored.

But is this addiction to social media really because we lack willpower, or is it because these platforms are intentionally designed to bypass our self-control and keep us addicted? A recent Los Angeles landmark trial found Meta to be negligent and held that they had to pay $4.2 million in damages for designing platforms, including Instagram, that were deliberately addictive to young users. And it’s not just Instagram. One internal email from a Snapchat employee described Snapstreaks, the feature we all know and love, as having caused “mass psychosis” among users and that the pressure to keep a Snapstreak going was harming healthy social interaction. It should come as no shock that TikTok is also a culprit here. Internal documents unsealed in a 2024 Kentucky lawsuit reveal the company knew its algorithm could get you hooked in as little as 35 minutes — highlighting that this design is built to take advantage of our adolescent brains to keep us scrolling for hours on end.

These companies are exploiting our lives for profit, growing wealthier while we become more dependent on their platforms day by day. Unknowingly, we are becoming slaves to their algorithms, losing our time and freedom so that they can maximize their revenue. Ultimately, we are not the customers of these apps but rather the products being sold to the highest bidder.

Several countries have already recognized this risk and passed laws restricting or banning social media. In December 2025, Australia became the first to enforce a nationwide ban for all children under 16 with no parental exceptions. Their government acknowledged that the risks posed by social media far outweighed the perceived benefits of digital connectivity for young, susceptible minds. Other countries such as France, Spain and Malaysia have followed suit, and have introduced or are debating similar age-based restrictions for addictive platforms. However, the United States remains stuck in legislative battles, failing to pass laws restricting or banning social media despite having high rates of mental health struggles and addiction.

Confronted with this reality, I urge you to follow their lead and consider a federal ban or at least restrictions on social media for minors so we can take back our childhood.

Sincerely,
Vihaan


Works Cited

Abrams, Zara. “Why Young Brains Are Especially Vulnerable to Social Media.” American Psychological Association, 3 Feb. 2022.

Allyn, Bobby, et al. “TikTok Executives Know About App’s Effect on Teens, Lawsuit Documents Allege.” NPR, 11 Oct. 2024.

Berrozpe, Tatiana Íñiguez, et al. “Spain Social Media Ban for Under-16s: Here’s What We Know So Far, and What We Don’t.” The Conversation, 24 February 2026.

Edmond, Charlotte. “These Are the Countries Where Children Are Most Satisfied With Their Lives.” World Economic Forum, 4 Sept. 2020.

Hautau, Lily. “Social Media Use Is Tied to Well-being, According to the New World Happiness Report.” CNN Health, 20 March 2026.

Kang, Cecilia, et al. “Meta and YouTube Found Negligent in Landmark Social Media Addiction Case.” The New York Times, 25 March 2026.

Kim, Victoria. “Australia’s Social Media Ban for Children Takes Effect.” The New York Times, 9 Dec. 2025.

Murray, Jessica. “Instagram Worse for Mental Health Than WhatsApp, Global Study Finds.” The Guardian, 18 March 2026.

NetChoice v. Bonta: Ninth Circuit Narrows Injunction Against California’s Age-Appropriate Design Code Act.” Cooley, 24 March 2026.

Schatz, Brian. “Kids Off Social Media Act (KOSMA).” U.S. Senator Brian Schatz.

Webb, Effie. “‘I’m Begging You’: What Snapchat Knew About Addicted Users.” The Bureau of Investigative Journalism, 12 March 2025.

Wee, Sui-Lee and Laura Chung. “These Two Countries With Social Media Bans Aren’t Happy With Google and Meta.” The New York Times, 31 March 2026.

Wertheimer, Tiffany. “Spain Announces Plans to Ban Social Media for Under-16s.” BBC News, 3 Feb. 2026.

学生公开信比赛优胜者—Could You Patent the Sun?

为了表彰学生公开信大赛的获奖者,我们将刊登他们的作品。这封信的作者是16岁的伊莎贝尔·金(Isabelle Kim)。


Dear health insurance companies,

Ever since I was young, I’ve been scared of spring. Not in a T.S. Eliot-inspired “April is the cruelest month” type of way, but in a more practical sense — for as long as I can remember, I’ve had debilitating allergies to all types of pollen.

In many ways, I’m fortunate. I have health insurance through my mother, which allows me to undergo allergy tests every spring. Doctors use those tests to create my allergy shots, which progressively reduce my allergic reactions; typically, after six months of shots, I’m able to go outside without too many adverse symptoms. Although both tests and shots are uncomfortable, I am grateful and aware that this is not a privilege that all Americans have.

27.5 million Americans, in fact. That’s the number of uninsured people in the United States, largely due to health care costs. And as climate change accelerates, the peak of allergy season comes earlier and stays longer. Without health insurance, allergy tests are prohibitively expensive: $60 to $1,000 per test, with shots that cost thousands of dollars every year. In addition, for allergy shots to be properly effective, one needs to get them for three to five years. For many Americans, this just isn’t feasible.

You might be thinking: What’s the big deal about allergies anyway? You might be surprised to learn that up to 1 in 20 American adults experiences anaphylaxis — a potentially life-threatening allergic reaction that requires immediate hospitalization — and the number continues to rise as the spring season lengthens. This is something I experienced firsthand when I visited South Korea this winter. My throat swelled dangerously on multiple occasions, and after three lengthy hospital visits, we realized that my previous allergy shots didn’t work for the different pollen in South Korea.

The cost of getting an allergy test and shot in Korea? $47.

There’s something wrong with a health care system that allows companies to charge thousands of dollars for something that other countries sell for the cost of a takeout dinner. I’m not saying that we should put profit aside entirely; I also understand that the health care system is going to be difficult to overhaul. But there is a scientific precedent for putting people over profits: Jonas Salk. After famously refusing to patent the polio vaccine, he was asked by a reporter who should own the patent. “Well, the people,” he said. “Could you patent the sun?”

I believe the same could be said about spring.

Sincerely,
Isabelle Kim


Works Cited

Allergy Shots.” Cleveland Clinic, 9 Aug. 2023.

Anaphylaxis Statistics.” Allergy and Asthma Network, April, 2026.

Briones, Elizabeth M., and Robin A. Cohen. “Health Insurance Coverage: Early Release of Estimates From the National Health Interview Survey, January–June 2025.” National Center for Health Statistics, January 2026.

Rosello, Patricia. “How Much Does an Allergy Test Cost With and Without Insurance?” Premier Allergy TX, 30 April 2025.

Zimmer, Carl. “Springing Forward, and Its Consequences.” The New York Times, 13 April 2014.

第四届100词个人叙事写作比赛获胜者

我们鼓励青少年用100个词讲述他们生命中一个有意义的时刻。以下是我们收到的14232篇“微型回忆录”投稿中的部分主题。

以下我们向73位入围者致敬:17位获奖者、19位亚军和37位荣誉提名者。这些文章,无论大小、感人或幽默,都深深打动了评委,寥寥数语便讲述了一个完整的故事。

阅读以下 17 部获奖回忆录,然后留言告诉这些年轻作者,他们的故事是如何打动你的。

祝贺入围决赛的选手,并感谢所有参与者。


Happy Halloween

I fidgeted in the car, adjusting my SWAT gear. We parked, ready for a sugar raid.

Dad shut the car door too soon.

Bam! Part of my finger went with it.

The back seat turned into triage. Mom tore off her Viking beard, wrapping it tight around my finger. My sisters cried as if they lost their fingers. Dad searched the car for my fingertip, nothing.

Relief settled in on the way back from the E.R. It would heal, the doctor said.

Two years later, the car has new owners. If they find what we failed to … well, happy Halloween.

— Aiwen Abels, 15, Urbana High School, Ijamsville, Md.


Unopened

Your Christmas gift to me sits unopened on my desk, next to the one I wrapped for you.

We joked about forgetting to exchange them, promising we’d “definitely remember next time.”

Your mom mailed yours to me after the funeral.

Some nights I sit and stare at them. Two little boxes, a tiny museum of the life we were supposed to keep living together.

I think, Open it. Go. Do something.

My hands stay still.

It feels like once I tear the tape, our friendship will collapse into a moment in time.

So the gifts stay closed. You stay close.

— Aanya Singh, 16, Collegiate School, Richmond, Va.


The Ledger

We never said “I love you.” We said “the faucet drips” and “the computer crashed.” Our language was a ledger of deficits.

After Dad went abroad, I found his notebook. Page after page of our coded language. My handwriting next to his: “Gutter clogged.” “Balcony door sticks.” “Lightbulb is out.”

On the last page, a new entry, in his shaky script: “Daughter’s room window — may leak in heavy rain.”

Beneath it, left blank.

I found a pen. I did not write an answer. I drew a check mark.

Received. Understood. Loved.

— Shuyu Zheng, 16, home-schooled, Ningbo, China

A notebook filled with handwritten notes about small household repairs and everyday details.Credit...Shuyu Zheng


Watch Three Times

My Instagram feed is great. The golden retriever is silly. I heart it. The woman is upcycling a shirt into a bag. I heart it. The man has a child. There is crushed concrete and he is crying. Please share. Please like. I don’t know what to do. I heart it. I watch twice. I don’t know what to do. I scroll. There is a woman. The flour is full of rocks. Press all the buttons. I don’t know what to do. I heart it. I copy the link. I watch three times. I — I turn off my phone.

— Daisy Luke, 16, North Hollywood High School, North Hollywood, Calif.


Baby Shark

Everyone told 5-year-old me that fishing would be boring. “You’ll sit around all day and won’t catch anything,” they said. “Don’t get discouraged.” So, I cast my line and prepared for nothing.

Minutes later, I felt a tug and thought I’d imagined it. Then the fin appeared. I reeled in my first catch: a baby shark, twisting and splashing like it couldn’t believe it either.

The adults stood frozen. I felt like a legend, knowing this was the highlight of my fishing career.

That day, I retired my fishing pole because once you catch a baby shark, doo-doo-doo-doo-doo-doo, you’re done.

— Danny Unatin, 13, Manhattan Beach Middle School, Manhattan Beach, Calif.


The Em Dash Love Affair

At the back of computing class, a miracle occurred. Alt+0151, the em dash, was discovered on my clickety-clackety keyboard of 2017. Elegant and flamboyant, it instantly eclipsed the uninspired hyphen. I typed it everywhere, often incorrectly, flaunting my punctuation prowess. I loved it with every keystroke.

Five years later, A.I. arrived. Essays in minutes? Sign me up. “Look! An em dash — even ChatGPT uses it,” I bragged.

Now the editor of the school’s newsletter, I spot an em dash and delete it. My beloved dash, once regal, is canceled, a hallmark of copy-paste A.I. writing. Back to the tasteless hyphen.

— Jannah Nuzraan, 17, UTS College Sri Lanka, Colombo, Sri Lanka


Vitamin C Diplomacy

You, brandishing the overbearing medal that is motherhood.

I, donning the colorful sash that is teenage hostility.

Topic of the day? Independence! Union with The Friends! Freedom from Maternal Control!

First, distract the enemy; cite Washed Dishes from four nights ago. That’s not enough? OK … what about Honor Roll from four years ago! Still not enough?

Time for the Final Stand. Slam room door, yell obscenities. Viva la Revolution!

Postwar. As The Friends convene over FaceTime, the door opens with a diplomatic offering.

Delicate spirals of H Mart oranges on porcelain, a symbol of peace.

Defeat never tasted so sweet.

— Caroline Zhang, 16, Canadian International School of Hong Kong, Aberdeen, Hong Kong

“One of the many orange spirals my mother has made over the years. Though we no longer live in the States, an orange tastes sweet everywhere and anywhere.” — Caroline ZhangCredit...Caroline Zhang


Aftertaste

I hate the taste of charcoal.

It clung to my tongue. I kept my mouth shut. The nurse handed me a menu. My mother slept in the chair beside me, still wearing scrubs, as if she’d run straight from work to my dying.

I ordered her pancakes. Fruit. Ginger ale. Pathetic attempt at an apology.

The IV clicked steadily; it did not care for my regret.

She woke up and stared at me for the longest time, counting every version of me she ever loved.

She asked, Why?

I couldn’t answer. Not for two years.

I cried instead.

— Peace, 16, West Orange High School, West Orange, N.J.

If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources.


Pictures Not Taken

As a child, I spent summers with my grandparents, lost in video games and never satisfied with the limited playtime for minors. I told my grandmother I wanted to take pictures of her, but it was only for ID checks to extend my gaming time. Each time, she straightened her weak legs and smiled patiently at the camera. I smiled back, eager to return to my screen. I never truly took her picture. After she passed, my grandfather asked if I still had those photos. He remembered her posing for them. I froze. I had nothing to give — only regret.

— Jimmy Liu, 15, Northfield Mount Hermon School, Gill, Mass.


Payless Shoes

His hair looked like it had lost a fight with a blender. Off-brand shoes. We laughed. Poked. Prodded. He chose his moments, speaking rarely but with benevolence. Somehow, I ended up in his dim, worn-down house. We stepped through the door, and his mom beamed, “Honey, how did the kids at school like your new shoes?” He slipped into his joyful facade, “They loved them.” She glowed. I held the truth of our laughing and mocking in a solemn silence. I never told her, or anyone, and I never forgot that moment. I never saw him the same.

— Nathan Marchand, 16, Worcester Academy, Worcester, Mass.


Call Me Smurf

In seventh grade, my frenemy Leon started calling me “Smurf.”
Shortest Japanese kid in school. Fast legs. Blue polo shirt. Squeaky voice.
The name stuck.

When we ran against each other for G7 student council, he smirked,
“Too small to lead.”
Thanks for the marketing slogan.
My campaign video: “Call me Smurf — small but mighty.”
I zoomed around campus, “besting the bullies,” and somehow won the most votes.

Now I’m five foot nine — not tall, but tall for a Japanese kid.
Napoleon was shorter, yet conquered half of Europe.
My years of being short still push me to win big.

— Kazushi Kousaka, 16, Choate Rosemary Hall, Wallingford, Conn.


Once Upon a Time …

I was the hottest commodity in my elementary school in Korea. Kids were drawn to my exotic, tongue-twisting birth place (Massachusetts), while mothers were drawn to my rudimentary Korean (and perfect English). For me, it was heaven: afternoons full with playdates, new best friends every week, and an armful of friendship bracelets.

Then one day, a new student transferred from France, with an accent like molasses. Suddenly, I became passé: Cambridge, Massachusetts, had nothing on Clermont Ferrand, France, and my American English was crude next to her posh French. At the age of 7, I had already become a has-been.

— Mari Kang, 15, Lexington High School, Lexington, Mass.


Move Mountains

It’s dark out when I wake up. Mom is asleep on the couch by the window, near the “Get well soon” cards that feel more like questions than wishes. Dad is in the recliner, playing Minecraft. I make eye contact and mouth a few words to him. He nods, handing me a purple iPad; he knows the drill. As I log onto our realm, I feel a large flush of gratitude. Sure, I can’t leave this small hospital room, and sure, I can’t really breathe. But here, with my dad, tapping a smooth smudged screen, I can move mountains.

— Eloise Franck, 13, Seattle Girls’ School, Seattle


The Color I Learned to Carry

Recess was my favorite part of the day. I loved tag the most, the rush of running, the slap of sneakers against the pavement, and the joy of being included in something fast and free. That afternoon, I saw some kids running around the playground. I ran after them, smiling, sure I had found my next game. As I reached out to tag one of them, they turned, shouting, “Blackie, Blackie!” Their voices cracked like twigs, sharp and sudden, but I didn’t understand. I laughed too, screaming, chasing them, playing with them, thinking it was all part of the fun.

— Temi Adebowale, 16, St. Mildred’s-Lightbourn School, Oakville, Ontario


Not Tonight

After midnight, my mother’s headlights carve a narrow path through empty streets. The delivery bag on my lap warms my legs, heavier with each order. Her phone rings again — another address, another few dollars. I see her wedding ring catch the light as she tightens her grip on the wheel, tired but steady.

We usually say yes. We usually don’t think. But tonight, the hush between rings feels different. Homework waits; exhaustion waits harder.

I hold the bag, breathe once, and say it quietly, almost to myself:

“Not tonight.”

— Junjie Yang, 16, Diamond Bar High School, Diamond Bar, Calif.


Do I Not Know Earthquake Protocol?

As a Chilean immigrant at a new American school I clung to the few things I understood. So, when the alarm went off and I heard “drill,” my mind leaped to earthquake protocol.
Told to get under the desks: Check. Earthquake.
Blinds were drawn: Unknown. How would we see?
The door locked: Unknown. Why would we trap ourselves in?
Desks piled against the entrance: Unknown.
My teacher whispered, “Quiet. Just in case someone was out there.” Unknown.
No earthquake, but someone?
A classmate saw my confusion and mouthed one word: shooter.
I quieted. At least I now knew another drill.

— Valentina Nicole Fuentes Jimenez, 17, New Canaan High School, New Canaan, Conn.


For When I Come Home

The last time I flew back to Shanghai, it had been longer than usual — months stretched thin by schoolwork and distance. My grandma beamed when I appeared in the doorway. She held out a small carton of my favorite Chinese sweet milk.

I took a sip and spit it out.

“Ugh, it’s expired!”

She blinked, confused. “I can’t read this small writing,” she murmured. “I saved them for you. I just didn’t know you would take so long to return …”

Behind her, I noticed a whole row stacked neatly by the rusty kettle. Dozens of them. All waiting. All expired.

— Yuhan Wu, 16, Middlesex School, Concord, Mass.


All Finalists

In alphabetical order by the writer’s first name

Winners

Aanya Singh, 16, Collegiate School, Richmond, Va.: “Unopened”

Aiwen Abels, 15, Urbana High School, Ijamsville, Md.: “Happy Halloween”

Caroline Zhang, 16, Canadian International School of Hong Kong, Aberdeen, Hong Kong: “Vitamin C Diplomacy”

Daisy Luke, 16, North Hollywood High School, North Hollywood, Calif.: “Watch Three Times”

Danny Unatin, 13, Manhattan Beach Middle School, Manhattan Beach, Calif.: “Baby Shark”

Eloise Franck, 13, Seattle Girls’ School, Seattle: “Move Mountains”

Jannah Nuzraan, 17, UTS College Sri Lanka, Colombo, Sri Lanka: “The Em Dash Love Affair”

Jimmy Liu, 15, Northfield Mount Hermon School, Gill, Mass.: “Pictures Not Taken”

Junjie Yang, 16, Diamond Bar High School, Diamond Bar, Calif.: “Not Tonight”

Kazushi Kousaka, 16, Choate Rosemary Hall, Wallingford, Conn.: “Call Me Smurf”

Mari Kang, 15, Lexington High School, Lexington, Mass.: “Once Upon a Time …”

Nathan Marchand, 16, Worcester Academy, Worcester, Mass.: “Payless Shoes”

Peace, 16, West Orange High School, West Orange, N.J.: “Aftertaste”

Shuyu Zheng, 16, Ningbo, China: “The Ledger”

Temi Adebowale, 16, St. Mildred’s-Lightbourn School, Oakville, Ontario: “The Color I Learned to Carry”

Valentina Nicole Fuentes Jimenez, 17, New Canaan High School, New Canaan, Conn.: “Do I Not Know Earthquake Protocol?”

Yuhan Wu, 16, Middlesex School, Concord, Mass.: “For When I Come Home”

Runners-Up

Alina Ahmed, 15, Plymouth High School, Canton Township, Mich.: “A Survivor’s Embrace”

Chaebeom Lim, 17, Darlington School, Rome, Ga.: “66 Pounds of Hope”

Cooper Rogers, 17, James I. O’Neill High School, Highland Falls, N.Y.: “Could Be Worse, Could Be Raining”

Daphne Kelly, 13, German International School of Portland, Beaverton, Ore.: “Follow Your Heart”

Elara Friedman, 15, Professional Performing Arts High School, New York City: “Un Vrai Moment New-Yorkais”

Elizabeth Turner, 14, Bryn Mawr School, Baltimore: “The Things You Do for Friendship”

Ellie Xu, 16, Walt Whitman High School, Bethesda, Md.: “The Dog Who Cried Rain”

Emily Long, 13, Meadowlark School, Erie, Colo.: “The Day My Croc Took Flight”

Hera Kashahu, 15, Albanian International School, Tirana, Albania: “Rules Change”

Hiya Goel, 16: “Running From Pink”

Jane O’Connell, 17: “The Bloom He Nearly Crushed”

Jia Ying Wu, 18, Taipei First Girls High School, Taipei, Taiwan: “Miss Me Not”

Kierra Brauhn, 15, Cherokee Trail High School, Aurora, Colo.: “Fluidity of My Identity”

Isaac Wang, 14, Sycamore High School, Montgomery, Ohio: “Two Worlds”

Li ZhiYun, 16, Guangzhou, Guangdong Province, China: “Where We Hid Christmas”

Maya Groch, 18, Solebury School, New Hope, Pa.: “Not My Sun”

Sophia Chen, 13, Masterman School, Philadelphia: “The Bolt”

Tara, 16, Phoenix Country Day School, Paradise Valley, Ariz.: “What They Saved, What I Lost”

Zhu Jia, 15, Shanghai High School, Shanghai: “The Lift”

Honorable Mentions

Ahmed Mahmoud Allam, 17: “Tiny Memoir”

Ailyn Diaz, 16, Hayward Twin Oaks Montessori School, Castro Valley, Calif.: “Night Shifts”

Alexa Levitt, 14, BASIS Independent Manhattan Upper School, New York City: “Where Our Branches Used to Be”

Aliya Leon, 16, Santa Rosa High School, Santa Rosa, Calif.: “A Different Kind of Hunger”

Amelie Theunissen, 14, Brookline High School, Brookline, Mass.: “Forever Pinky Promise”

Araceli Morales Arce, 15, Woodburn High School, Woodburn, Ore.: “Our Silent Secret”

Ariana Fard, 14, Loyola Academy, Wilmette, Ill.: “Pass the Toothpaste”

Benjamin Charkosky, 16, Lakewood High School, Lakewood, Ohio: “The Word I Didn’t Know”

Boyang Sun, 14: “Turning Into a Joker on April Fools’ Day”

Charlize Sitto, 16, St. Catherine of Siena Academy, Wixom, Mich.: “5,000 Miles Can’t Be That Far …”

Chloé Haygood, 16, The College Academy at Broward College, Davie, Fla.: “The Chemistry of Confidence”

Holden Mccarter, 13, Bonny Eagle Middle School, Buxton, Maine: “Going to the Punk Rock Show”

Huong Luong, 17, Worcester Academy, Worcester, Mass.: “The Cool Girl Mishap”

Ismarcis Ponce Cruz, 16, Archer School for Girls, Los Angeles: “Absence”

Isra, 15, Canterbury High School, Fort Wayne, Ind.: “The Pretty One”

Jayati Babla, 15, Francis Parker School, San Diego, Calif. “My Mother Tongue”

Jessica Osinachi, 19, Nigeria: “The Shirt He Never Wore Again”

Jiufeng Shang, 13, Jonas Clarke Middle School, Lexington, Mass.: “Pocket Stones”

Justin Cheong, 16, North Hollywood High School, North Hollywood, Calif.: “Five Stories Up”

Kaia Richardson, 13, Walsh Middle School, Round Rock, Texas: “Coming Home”

Kevin Hu, 17, Beijing National Day School International Department, Beijing: “Shatters”

Lidya Fisha, 16, Northwestern High School, Hyattsville, Md.: “Between Two Worlds”

Madelyn Terry, 14, Marblehead High School, Marblehead, Mass.: “The Question”

Mary Sulollari, 16, Northville High School, Northville, Mich.: “A Toothpick for Uncle Lilo”

McKenna Chang, 16, Henry M. Gunn High School, Palo Alto, Calif.: “Say Cheese!”

Michelle Kim, 16, Newport High School, Bellevue, Wash.: “Ddok Ddoki (Knocking)”

Mihir Anil, 15, Timberline High School, Boise, Idaho: “Zenith of Instrumental Tensions”

Natalie Huang, 13, Hillside Middle School, Northville, Mich.: “Silence in the Abyss”

Nisa Thomas, 16, Del Norte High School, San Diego, Calif.: “What Google Couldn’t Translate”

Samantha Gavin, 15, Beacon High School, New York City: “The Embrace”

Sarang Kim, 13, Gaepo Middle School, Seoul: “Left Hand”

Seyun Kim, 17, Gyeonggi Science High School for the Gifted, Suwon, South Korea: “A Beginning Without Words”

Soh Han Joanna, 15, Raffles Girls’ School (Secondary), Singapore: “Grief in Advance”

Summer Hsu, 15, National Cathedral School, Washington, D.C.: “Boys Will Be Boys”

Jin Ye (金烨尘), 13: “The Day I Learned to Fly”

Yujin Um, 17, Shepherd International Education, Seoul: “Wild Fire”

Zoe Armstrong, 15, Benjamin N. Cardozo High School, Queens, N.Y.: “Modern Day Cinderella”

2026年纽约时报My List 学生评论竞赛获胜者

你讨厌乡村音乐吗? 17 岁的夏洛特·科曼 (Charlotte Cornman) 提供了四首可能会改变你想法的歌曲。

你更愿意看 TikTok 视频而不是看书吗? 18 岁的塞缪尔·芒克斯推荐了三本让你爱不释手的科幻小说。

你是 Costco 购物者,更喜欢样品而不是杂货吗? 17 岁的 Summer Lu 推荐了一些纸杯开胃小菜,这些小菜会让你抛弃家人,因为他们会继续购物,而你则留下来品尝。

这些只是我们的评委从 4,004 份青少年提交的“My List ”学生评论竞赛中选出的六幅获奖作品中的三幅,该竞赛要求青少年以某种富有想象力的方式对艺术或文化作品进行分组,然后告诉我们为什么应该或不应该检查它们。

我们希望你会喜欢或争论这些有关食物、书籍、电影和音乐的推荐。你可能会遵循以下哪些建议?为什么?哪些列表教会了你新的东西,或者向你介绍了一些你可能不知道的东西?请在评论中与这些年轻作家分享你的想法。

4 Songs to Win Over Country Music Haters

3 Science Fiction Novels to Trick Your Non-Reader Friend Into Loving Books

Modern Warfare: 3 War Films With Contemporary Implications

From ‘What Do We Do Now?’ to ‘We Are Going to Rob It’: 3 Characters Who Redefined the Female Antihero

3 Classical Symphonies That Tell Human Story Better Than the Movies — Without Any Words

Top 3 Costco Samples That Make You Abandon Your Parents


All Finalists

Winners

Finalists are listed in alphabetical order by the writer’s first name.

Charlotte Cornman, 17, Richard Montgomery High School, Rockville, Md.: “4 Songs to Win Over Country Music Haters”

Finn Soglia, 16, Dover-Sherborn High School, Sherborn, Mass.: “Modern Warfare: 3 War Films With Contemporary Implications”

Roshni Aruna Gupta, 17, Mallya Aditi International School, Bangalore, India: “From ‘What Do We Do Now?’ to ‘We Are Going to Rob It’: 3 Characters Who Redefined the Female Antihero”

Samuel Munks, 18, Ida B. Wells High School, Portland, Ore.: “3 Science Fiction Novels to Trick Your Non-Reader Friend Into Loving Books”

Subin Kim, 15, Archbishop Mitty High School, San Jose, Calif.: “3 Classical Symphonies That Tell Human Story Better Than the Movies — Without Any Words”

Summer Lu, 17, Vincent Massey Secondary School, Windsor, Ontario: “Top 3 Costco Samples That Make You Abandon Your Parents”

Runners-Up

Allison Zhang, 14, and Sophia H., 14, Pacific Trails Middle School, San Diego, Calif.: “The Pain of Perfection: The 3 Hardest Ballet Movements”

Angela Song, 16, Hong Kong International School, Tai Tam, Hong Kong: “3 Songs That Make Me Feel Patriotic for a Country I’m Not Even From”

Austin Bate-Agborsangaya, 16, Taipei American School, Taipei City, Taiwan: “Afrofuturism: 4 Glimpses Into a Multicultural Tomorrow”

Eamon Kerr, 16, Jones College Prep, Chicago: “The Brutalist Truth — Top 3 Reasons to Keep Your Head Down”

Ella Swayman, 17, East Grand Rapids High School, East Grand Rapids, Mich.: “3 Best ‘Grey’s Anatomy’ Episodes to Watch When You’re Not Feeling Stressed Enough”

Hailey Yoon, 15, Chadwick International School, Incheon, South Korea: “3 Atypical Instruments Used in Mainstream Music to Listen For”

Leilia McCabe, 17, Richard Montgomery High School, Rockville, Md.: “4 Shakespeare Sonnets You Should Never Recite to Your True Love”

Letian Pu, 16, Shanghai Nanyang Model Private School, Shanghai: “Freedom”

Penelope Wood, 18, Francis Parker School, Chicago: “Fashion Regrets I’d Like to Leave in My Camera Roll”

Roy Kim, 13, Rancho Pico Junior High School, Stevenson Ranch, Calif.: “Beyond Netflix and K-Pop: A Korean Food Guide to L.A.’s Koreatown”

Sofia Tomasikova, 16, UWC Costa Rica, San Jose, Costa Rica: “3 Pieces of Media to Consume When You Feel Like the World Has Just Come to an End”

Tuleen Alshurafa, 15, Dhahran Ahliyya Schools, Dhahran, Saudi Arabia: “Asking ‘Why’ in a World That Prefers ‘What’: Top 3 Philosophers That Change the Way We Think”

Honorable Mentions

Aditi Ranjan, 17, Dougherty Valley High School, San Ramon, Calif.: “3 Must-Have Nintendo Video Games for Adventure Lovers”

Aleena Shaik, 16, Pascack Hills High School, Montvale, N.J.: “3 Feminist Retellings That Miss the Mark”

Joaquin Salcedo-Avila, 17, Jones College Prep, Chicago: “The Top 3 Most Evil Rodents in History”

Lalie Lours, 17, Avenues The World School, New York City: “5 Things Teen Girls Should Obsess Over”

Lila Halpert, 15, John L Miller North High School, Great Neck, N.Y.: “Confusion, Unclear Answers, and Realities That Are Stranger Than Dreams: A Watchlist to Get Comfortable With Not Knowing”

Loren Barjis, 15, West High School, Iowa City, Iowa: “All That Jazz: Four 1926 Obsessions That Still Purr in 2026”

Minh Anh Tu, 17, Greenfield School, Phung Cong, Vietnam: “Hidden Gems of Hanoi: 4 Street Food Sanctuaries Beyond the Guidebooks”

Natalie Viderman, 17, Hunter College High School, New York City: “4 Experiences That Show Why Queens Is Worth Visiting”

Shinhoo Kim, 17, Valor International Scholars, Anseong, South Korea: “5 Jazz Hip-Hop Artists That Will Define Your Trip”

Top 3 Costco Samples That Make You Abandon Your Parents

By Summer Lu, 17, Vincent Massey Secondary School, Windsor, Ontario

In this review by Summer Lu, 17, Costco is a restaurant serving samples in “tiny white cups like amuse-bouches” that are so tasty they’ll make you abandon your family shopping trip.Credit...Kerry Tasker for The New York Times

Walking into Costco on a Saturday evening feels like participating in a social experiment disguised as a buffet. We arrive as a family, united by a shared cart and a vague promise to “stick together.”

Then I notice the sample stations.

Strangers in Kirkland hats hold out tiny white cups like amuse-bouches for people who insist they are “just here for the essentials.” Because the portion is small and the price is zero, it feels consequence-free. No commitment beyond a polite nod and a quick “thank you.”

Those little paper cups make me drift away and circle back, as if summoned. At some point, my family keeps walking, confident the unit is intact.

At some point, I do not follow.

Here are the top three samples worth the betrayal.

1. Spring Rolls: The Restaurant Scam That Suddenly Feels Reasonable

I never order spring rolls at restaurants because I cannot emotionally accept paying $7 for two. Delicious, yes, but not worth nearly half an hour at minimum wage.

At Costco, however, my principles weaken.

I hover nearby, pretending to study frozen corn dogs as if sodium percentages have ever influenced my choices. Then it happens.

DING.

A fresh batch appears, golden and steaming, and the entire aisle subtly reorganizes itself. Carts stall mid-turn. Conversations pause. Children sit suspended in carts, too confused to even start crying.

I fight my way to the front of the crowd, securing my sample — a war won.

The wrapper shatters delicately before giving way to a hot, savory filling that tastes suspiciously restaurant-quality. In that moment, the markup feels justified, and I briefly reconsider my stance on capitalism.

2. Spinach Dip and Sweet Potato Chips: Wellness Cosplay

Spinach. Sweet Potato. The words alone suggest a version of myself who exercises recreationally and hydrates responsibly.

The sample tastes like the rare occasions when my non-appetizer, water-only family orders something to share at a fancy restaurant. The dip is warm and creamy; the chip is sweet and crisp in a way that feels almost virtuous. For several seconds, I inhabit the life of a Pilates princess, a health queen, and a person who owns a closet filled with matching workout sets.

While I briefly consider buying the tub and finally embarking on my New Year’s resolution three months late, my family has already advanced three aisles ahead.

Let’s not dwell on the reality that a small cup of creamy spinach dip can easily run 80 calories before accounting for the sweet potato chips. Costco lighting does not support that kind of introspection. Ignorance, like spinach dip, is bliss.

3. Cinnamon Sugar Donuts: Colasanti’s Nostalgia in a Paper Cup

I grew up going to Colasanti’s — the greenhouse where I fed goats, begged my parents for arcade tokens, and left clutching a paper bag of warm cinnamon sugar doughnuts dusting my shirt — a near-universal childhood memory for Windsor-Essex kids.

The Costco version is not the same, but on an empty stomach, it’s close enough.

The first bite is warm and sweet, cinnamon clinging to my fingers. For a moment, the warehouse disappears, and I’m back to being smaller, stickier and happier. I take one sample for myself and another “for my family,” fully aware that the second will not make it to them. It feels calorie-less because it is a sample, and necessary because it tastes like a memory.

When I look up, I realize that I have no idea where my parents are within this hundred-thousand-square-foot warehouse.

I consider finding them, but then the tray refills.

3 Classical Symphonies That Tell Human Story Better Than the Movies — Without Any Words

By Subin Kim, 15, Archbishop Mitty High School, San Jose, Calif.

The Pittsburgh Symphony, here at their home in Heinz Hall, recently played Shostakovich’s Symphony No. 5 at Carnegie Hall. Subin Kim, 15, recommends the masterpiece as one of three that will “make you fall in love with classical music.”Credit...Maddie McGarvey for The New York Times

In a world dominated by screens, you’d probably rather doomscroll or binge-watch “Stranger Things” than sit through an hour of a symphony.

As a chronically online teenager and devout K-pop listener, I get it. But a symphony isn’t a boring, overdone performance of a dead guy’s music: It’s a heartfelt story full of twists and turns. How else can you go on an emotional roller coaster and hear a narrative — with no words?

No more falling asleep at the symphony: Here are three masterpieces to make you fall in love with classical music.

1. Tchaikovsky’s Symphony No. 4: Relatable for real

Billie Eilish isn’t the only artist who can translate her feelings into music; Tchaikovsky did it hundreds of years before. The symphony opens with a booming brass fanfare, crashing into you in a way you can’t ignore. Tchaikovsky pours his struggles with anxiety, loneliness and pressure into the symphony, making it deeply personal and relatable.

After the dramatic opening, the sweeping string lines reveal gentle, fragile woodwind solos, like your inner voice and vulnerability piercing through the chaos. Together, the melancholy yet beautiful atmosphere encourages reflection and freeing yourself from emotional burden. By the final movement, the symphony bursts into celebration: not because the struggle is gone, but because you’ve overcome it.

2. Shostakovich’s Symphony No. 5: Celebration (Protest)

When Shostakovich composed his fifth symphony, artists in the Soviet Union were expected to create music that sounded optimistic and heroic, celebrating the Stalinist regime. Deviating was dangerous. So he didn’t … but hid a message of protest.

From the first thundering note, tension and unease are rife in the atmosphere. By the final movement, the symphony sounds triumphant, the perfect tribute for the government. But listen … the trumpet’s fanfare is a little too rigid and mechanical; the strings are more aggressive than usual. Even the bright woodwinds sound shrill bordering on strained. Is it really a celebration, or is it highlighting oppression? After the haunting third movement, the ending feels more like clenching one’s teeth, revealing Shostakovich’s hidden rebellion against the government.

3. Berlioz’s Symphonie Fantastique: Relationships …

You’re not the only one with relationship struggles; Berlioz’s Symphonie Fantastique focuses on an artist consumed by love, driven mad to death by obsession with his lover. Berlioz himself suffered from mental health issues (clearly), but his symphony is a masterpiece. With a dreamy, once-upon-a-time-esque opening, the listener is transported to a waltz in the second movement, where the narrator locks eyes with a beautiful woman across the room. Love at first sight. Yet from there, the story spirals. In the very last movement, Hexensabbat translating to “Witches’ Sabbath,” the narrator imagines his own funeral. The E flat clarinet leads the way as a sharp, mocking cackle of a witch, turning a beautiful, star-struck love into something grotesque. The symphony is wild, theatrical, and utterly dramatic; it’s a passionate whirlwind much like the sensation of falling in love. And maybe that’s what it feels like to fall in love with classical music.

We value human story so highly because it’s a form of connection and a way to make sense of a chaotic world. In Tchaikovsky, you might hear your struggles: overwhelmed from pressure, completely alone and vulnerable. You’re not alone. In Shostakovich, pulling yourself together, smiling through the pain. Embrace love and chaos in Symphonie Fantastique.

That’s why these symphonies still matter in the big 2026. They aren’t relics of the past, but the timeless soundtrack of human experience.

From ‘What Do We Do Now?’ to ‘We Are Going to Rob It’: 3 Characters Who Redefined the Female Antihero

By Roshni Aruna Gupta, 17, Mallya Aditi International School, Bangalore, India

Damsels in distress? Not here. Roshni Aruna Gupta, 17, recommends “Ocean’s 8” and two other works where female antiheroes “command the plan.”Credit...Barry Wetcher/Warner Bros.

The vault that cracks with 0.03 seconds to spare. The blatantly obvious disguises crafted to fool us (they don’t). If you’re a crime fiction fanatic, you’ve seen these plot twists coming from miles away.

But the worst offender? A perfectly orchestrated crisis situation, when the masterfully concocted plan inevitably flies off the rails. We’re SO familiar with the leading woman turning toward her male antihero with wide-eyes and visibly trembling panic — “What do we do now?,” predictably designed to prove his superior criminal dominance to us. If this stereotype was any more outdated, it would come embedded in a VHS cassette.

Have we all been privy to this? 100 percent. Do I subscribe to it? No. Here are three characters who have redefined female antiheroes into powerful, ingenious women that command the plan rather than being its damsel in distress.

Debbie Ocean (“Ocean’s 8”)

Remember Danny Ocean pulling off three mind-boggling Las Vegas casino robberies in 2001? Meet his younger sister Debbie — more calculated, strategic and in a committed long-term relationship with grand larceny. Fresh out of prison, her first introduction is thieving designer couture with the ease of scheduling her next dentist appointment. THE CONFIDENCE. Her blueprint? Not her brother’s sidekick. Rather, masterminding a heist photographed on the most fashion-forward red carpet — the Met Gala. Playing puppet-master, she snatches a $150 million Cartier necklace from right under our noses, all in stilettos, a sparkly-embroidered gown and a side dish of handcuffs served cold to her ex-boyfriend. You may think you’ve left her in the dust … but she’s so far ahead, her master plans are criminally invisible. If you can still visualize a jewelry heist without Ocean’s all-female Toussaint-thieving team, then you’re clearly still trapped in the Met’s bathroom stall (IYKYK).

Harley Quinn (DC Comics)

Harley is Debbie’s polar opposite — mayhem personified with a swinging baseball bat, toeing the line between insane and even more insane. Entering the criminal underworld as the Joker’s punchline, her identity was devoted cries of “Mistah J!” A switch-up later, she breaks up with him. The next divorce: with her worshiping “ditzy” characterization. Her new center of gravity is a performative persona that hides a lethally instinctive intelligence we didn’t uncover soon enough. Don’t get me wrong, Harley is every bit emotionally unstable as the stereotypical female sidekick (heavily sprinkled with madness of course). The divergence? She commands her psychiatric genius, forming powerful alliances and choreographing DC’s most thrilling jailbreaks that live rent-free in our heads. If you dig up old Halloween memories, I’m sure you’ll come across parades of blue and red-dyed pigtails — a nod to her proving that emotionally unstable and wildly chaotic can exist in the same “squad” as nefariously independent and maniacally powerful.

Inej Ghafa (“Six of Crows”)

Assassin Inej Ghafa wields her knives to slash through female antihero stereotypes with the same precision as she does her enemies. A sidekick? Perhaps. A frazzled hindrance? NEVER. She may not sketch the map — we’ll leave that to her ally Kaz Brekker — but she’s the blade that silently pirouettes as Death. Without her? The duology would’ve been half a chapter of a criminal master plan … zero execution. Striking down conventions of being the male lead’s shadow with deadly intention, Inej operates according to her OWN moral code, accessorized with blades carrying the names of her Saints — all grounded in the Suli faith. “I will have you without armor, Kaz Brekker, or I will not have you at all,” she grounds, refusing to dismantle her principles to fit his comfort. If you weren’t squealing and kicking at 3 a.m. as she embodies the queen, not the pawn, then you’ve sorely missed out!

Modern Warfare: 3 War Films With Contemporary Implications

By Finn Soglia, 16, Dover-Sherborn High School, Sherborn, Mass.

According to Finn Soglia, 16, “All Quiet on the Western Front" is one of several contemporary films that provide “necessary” and “relevant” perspectives on the nature of warfare.Credit...Reiner Bajo/Netflix

If you’re someone who enjoys historical cinema (as I do), you may find most war films to be purely exploitative or completely inaccurate. Luckily, whether to show the indiscriminateness of war’s brutality, demonstrate the horrid humanity of those who commit our world’s worst atrocities, or inadvertently expose the ideological undertones of war cinema, these three films provide necessary and contemporarily relevant perspectives on the nature of warfare.

“All Quiet on the Western Front” (2022)

No literary work portrays war’s horrors quite like “All Quiet on the Western Front,” and its 2022 film adaptation does Erich Maria Remarque’s novel the justice it deserves. Both versions follow a fictional young soldier’s slow unraveling as he faces World War I trench warfare, but the exceptional thing about them is that the soldier himself is German. Remarque’s fictionalized account of his own experiences as a German soldier reflects a startling truth — not only the virtuous side of war suffers the brutality of it. Among the fleets of ideologically-driven fanatics on the front lines are the young, traumatized and disillusioned, much like Remarque’s 17-year-old protagonist. “All Quiet on the Western Front” thus serves as more than just a testimony to the horrors of combat, but the dialectical nature of war itself as something that can destroy one’s very soul — regardless of which side they fight for.

“The Zone of Interest” (2023)

Detailing the personal and family life of Kommandant Rudolf Höss of the Auschwitz concentration camp during World War II, “The Zone of Interest” is a striking show of complicity, serving to demystify the Holocaust by portraying the Nazis against an eerily domestic backdrop. In a world where perpetrators of war appear as almost mystical figures, films like “The Zone of Interest” show us the jarring mundanity and domesticity of their daily lives. We never imagine Nazis tying their shoes or dictators taking a walk outside their compounds, since many find it terrifying to think an everyday human with shoelaces and morning walks could be a willing participant in atrocities. However, history lends us to accept horrifying facts for the sake of gaining a greater understanding of reality. The mere notion of power and security, a fervent promise that there’s some way to ‘save’ your dear nation or ideology via annihilation of its opposition, can cause an ordinary citizen like you or I to take up arms against the innocent. In the words of Voltaire, “Those who can make you believe absurdities, can make you commit atrocities.”

“Zero Dark Thirty” (2012)

While more contemporary than the first two films, this thriller-drama centers on a fictional female C.I.A. analyst and her agency’s decade-long hunt for Osama bin Laden after the tragedy of 9/11. Frankly, I don’t cherish this film as much as I do “The Zone of Interest” and “All Quiet on the Western Front.” The film almost glorifies the torture carried out by the United States during the hunt for bin Laden, downplays the involvement of the Obama administration, and also inaccurately portrays Middle-Eastern culture. For those reasons, “Zero Dark Thirty” isn’t making the list due to the film’s quality itself, but rather the implications of its flaws. In the United States and other Western nations, we generally consider the War on Terror a war of retribution, often deliberately portraying the grave mistakes we made under the guise of “This was necessary — they deserved it.” This ideology lends us to portray the most heinous acts of war as “necessary” for victory, making “Zero Dark Thirty” a necessary watch for any American or other willing to see firsthand the ideological charge in war cinema.

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