By Zayden Li, 16, Horace Mann School, Bronx, N.Y.

Ralph Fiennes as the notorious urban planner Robert Moses in David Hare’s play “Straight Line Crazy.” Zayden Li, 16, suggests you check out the trailer on YouTube to “catch glimpses of Fiennes digging into Moses’s sullied glory.”Credit...Sara Krulwich/The New York Times
We get it. You got caught up in the hysteria last year over The New York Historical’s 50th anniversary exhibit of Robert Caro’s epic “The Power Broker: Robert Moses and the Fall of New York.” Now you feel guilty for jumping the gun and buying the “I Finished The Power Broker” mug at the gift shop. Let’s face it. It’s a ridiculously long book, clocking in at over 1,300 pages. Sure, it’s a gripping, meticulously researched account of how one man, Robert Moses, ruthlessly yielded his power to transform New York City into the congestion choked metropolis it is today. But if you are a mere mortal and need some cheerleading to make it to the last page, here are three Power Broker-adjacent diversions that may shake things up and keep your reading fresh. (And if you want to enjoy a cup of coffee in, let’s say, your “I Finished The Power Broker” mug, go right ahead. We won’t judge.)
1. Escape into the fantasy realm. Does it feel like New York City traffic is the brainchild of an evil wizard? The dungeon and dragons series Dimension 20 on DropoutTV runs with that concept in “The Unsleeping City,” where the main villain is named Robert Moses, an undead magical mystic who is the architect of the Highway Hex. After your fantasy fix, you can hear creator Brennan Lee Mulligan discuss why he made the master builder into a master villain on 99% Invisible’s “The Power Broker: Episode 11.” The whole series is a perfect companion piece to the book as the host Roman Mars breaks down each chapter with fanboy insight. When you’re ready to head back to reality, check out the episode with the not undead former Secretary of Transportation Pete Buttigieg, too.
2. Dive into the negative space. Caro shortened his original, million-word manuscript by a third to make the book physically bindable. Sadly, the entire chapter devoted to the journalist Jane Jacobs was removed, but sometimes what’s left out speaks volumes. Anthony Flint takes a fascinating closer look at the activist who stared down Moses in “Wrestling With Moses: How Jane Jacobs Took on New York’s Master Builder and Transformed the American City.” Flint gives us plenty to chew on, even though it’s a snack of a book coming in at a mere 195 pages. Washington Square Park would have been plowed over by a ten lane super highway called the Lower Manhattan Expressway if it weren’t for Jacobs. If that was left out, then what in the world was kept in? Curiosity piqued!
3. Go for the drama. Caro knew that he needed legendary storytelling to keep people interested in public infrastructure and bureaucratic procedures. He never over dramatizes, but his work begs for dramatic re-enactment. Enter “Straight Line Crazy," which ran briefly in London and Off Broadway and starred Ralph Fiennes as Moses. Nowadays you can find the National Live Theatre trailer on YouTube to catch glimpses of Fiennes digging into Moses’s sullied glory. Or you can dip into the excellent book by David Hare and soak in reimagined scenes of Moses manipulating his way to dominion over New York City. Stage adaptations may not be your thing, in which case you can hurry back to the original text and take the high ground. But there’s something delightful in hearing an onstage Jane Jacobs say, as only a New Yorker would, “He’s straight line crazy!” And knowing Voldemort is playing Moses is purely priceless.


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